What Are The Typical Conventions Of A Thriller Opening?
The typical conventions of a thriller are portrayed through the use of its Narrative, characters, settings, camera work and also its sound. I believe that my media product the thriller opening uses as well as develops on the the same forms and conventions of a real thriller media product rather then challenging it.
Narratives (Storyline):
The story of a typical thriller film will usually be shown from the protagonist’s point of view, following events that the heroes must overcome. This point of view allows the audience to become more involved in the events themselves and therefore closer to the characters, as they see how the characters interact with each other in different situations. However, other points of view are sometimes included in the telling of the plot: often they will be short clips from the villain’s point of view, allowing the audience to see how the antagonist acts while by themselves, or how they used to act (i.e. in a flashback), which creates empathy for the villain and possibly allows the audience to understand why they have become the evil party. Depending on the character that plays the villain or how much is revealed to the audience, a sense of guilt can also be created.
Most typically, events covered by the film are important to the film’s progression and lead directly on from a previous scene. There are usually lots of action scenes between characters, which keeps the audience guessing (often wrongly) what will happen next and how the characters will interact with each other. If the characters actions are erratic and keep changing then the film’s suspense grows, as we do not know what will happen next. During scenes where the characters are simply talking with each other, the audience generally understands what is happening but never gets the full explanation of the plot or events taken place, which allows the film to retain its mystery and suspense until later.
Usually the motive of the villain and their relation to the hero will be revealed at the end or near the end of the film, and the audience is then able to understand why the characters have acted the way they have. If the motive is left unrevealed, the film will end of a note of suspense and confusion, allowing the audience to continue to imagine what would happen after the film has finished.
Characters:
(Dark Knight a good example of a protagonist)
The two main characters (antagonist and protagonist) in a thriller are set apart from each other in the way the audience views them. The heroes in thrillers are often men that are accustomed to danger in their jobs or lifestyles (i.e. policemen, spies, etc.) or are ordinary citizens that have been pulled into danger by accident. The male hero usually has an aim to defeat the evil of the situation and will persevere even if nothing is going according to plan.
(The joker a good example of a antagonist)
The villains in thrillers are also typically men, usually tall and/ or well built, and with a cool sense around them that gives the impression that they shouldn’t be trusted. This character may have some physical deformity (if their identity is secret for the majority of the film), or a traumatic experience that has changed their outlook on life or humanity. Usually they will work alone. Other supporting characters are usually on the protagonist’s side and will attempt to help them (although sometimes these characters will betray the hero and leave to support the villain or another third party)
Settings (Location):
The typical setting of a thriller is in an urban city. Usually the main colours used will be grey, black and white to emphasise the helplessness of the first character we see. Thrillers can also be set in quiet country villages, where everyone leads poor and simple lives; often the villain will come from a small village. Usually only a small range of colours will be used, the main being black or grey if it is set in a city environment, to show how normal life is.
Camerawork:
The camera shots are usually either very steady or move around a lot. If there is a scene with a lot of dialogue, or a character is being shown as having a quiet or intimate moment, the camera will be still and focus on the characters more than the background. If there is more than one character in the shot, the cameraman will use a medium (or close up)- two shot to show how they relate to each other, i.e. if they are standing close and being intimate or not. If the camera is moving around a lot then an action scene is typically taking place; the increased cut rate allows the audience to feel more involved in the action and keeps them on the edge of their seat as they do not know what is going to happen next. More camera movements are also used when there is a sense of vulnerability or something has gone wrong which increases the suspense.
How Has My Media Product Used Such Conventions?
Narratives (Storyline):
I believe my media product uses the same conventions, reason being is because the story is about a father who seeks revenge for the murder of his two children. I believe that the our storyline stays within these conventions because the audience can raise many questions from what they have seen and they are left with these questions popping up in their heads and waiting for answers. For example we did not allow the audience to know who killed the children? although they may guess the likelihood of who it might be they do not know neither do they know how they died? Or what the fathers intentions are and what he plans on doing to seek revenge?
The thriller is also about the psychological torment that the father goes through, so many thrillers are based around characters and their psychological problems. The audience are given some hints about some characters that are creating suspense on the audiences mind.
Lastly I’d like to conclude that the thriller touches on some sensitive issues, which could show situations in which the mind works. The way that the opening ends foreshadows some form of crime to happen (Burning of picture)
Also my group and i had taken great inspiration from another great thriller film taken and if you view the opening scene of the father laying on the sofa with the TV you can then see the similarities between the two openings:
http://www.megavideomovies.net/2010/03/watch-taken-2008-megavideo-movie-online.html
Characters:
Just like the typical conventions of a thriller the characters in our Thriller opening are very similar. The antagonist in our thriller Aadil being the father who is shown to have some kind of psychological problems. But by his appearance and body language he can also be portrayed as a protagonist dressed very simple and casual but also brings a sense of danger with his presence towards the end.
We also have juxtaposition from when we see the dark room and dark clothing and the start – to the bright scene with the children – this I hope will make the audience feel the children are in danger.The audience are made to be not entirely sure as to who the antagonist is , whether it is this man who seems distraught over the children ,or the man who is being burnt in the picture. Though I think it has been made clear that the children are the clear victims.
(The two innocent boys who play the murdered kids in the thriller)
Settings:
Our thriller opening is mainly set in a small corner city house where the antagonist father lives alone from what we know. Due to his mental problems the setting of the furniture and objects in the house are a bit unusual for example there is countless amounts of fags on the table and a lot of alcohol bottles making it seem that he may be an alcoholic and there is also a lot of candles lit but no lights seem to be on in the room or house.
There is also a sort of juxtaposition used within the locations use and this is how; the first part of our opening (establishing shot) shows a close up of the moon by doing that we were hoping to make it apparent that it is night time and also creates an eerie mood. The shot then continues as there is a zoom in to the front door of the house, which seems transparent due to a camera trick and then the audience will find the camera in a small low-lighted hallway. During the first minute and a bit the scene is very dimly lit, it follows the typical conventions of a thriller.
The following scene is then continued by a DVD that the father puts on this is where the juxtaposition is first created, it goes from this dark low key lighting of the room to a TV screen playing a bright, sunny area., and children laughing within a playground. This sudden change I believe in my opinion is a great way of manipulating the audiences thoughts and feelings at this moment in time due to the sudden change in location they will have no idea and no certainty what to come but I am sure they will be interested to see what happens.
Juxtaposition of setttings:
Dark Living Room
Bright colourful playground
Camerawork:
Thrillers use camerawork in so many ways to create allsorts such as mystery and suspense. In our thriller we have used unusual angles with the camera such as long shots we doesn’t reveal much and the use of symbolic images when the camera zooms into the burning candles that are all over the room and also the alcohol. The height angel shot used when the father is laying asleep on the sofa shows how venerable and low he might be feeling and the extreme close up to his eyes when he is watching the home DVD can reveal his pain which he holds within himself due to his loss.